![Actor Bradley Cooper attends a screening of "American Sniper" at the Burke Theater at the U.S. Navy Memorial on Jan. 13 in Washington.](https://espnfivethirtyeight.files.wordpress.com/2015/02/83332783.jpg?w=610)
Actor Bradley Cooper attends a screening of “American Sniper”
at the Burke Theater at the U.S. Navy Memorial on Jan. 13 in
Washington.
Larry French / Getty Images
“American Sniper” is probably not going to win the Oscar for
best picture. If it does, that would be the single biggest best picture
upset at the Academy Awards in at least 25 years.
Many of the e-mails and tweets I’ve received since we published our election-style Oscar picks yesterday
have made the case for “American Sniper.” That’s fair — lots of people
loved the movie; it’s been a juggernaut at the box office; and the
argument can be made that if voters are exhausted by “Boyhood” and
“Birdman,” then “American Sniper” is a viable compromise choice.1
But the film was pretty much disregarded by the guild awards and
critics group awards that often give us insight into who’s leading the
Oscar race. And that’s what our model relies on. We can’t reliably
predict the Oscars because we can’t poll the Academy. The best guess at
what’s going on in those 6,000 heads — besides betting markets — is how
other awards shake out. It’s hardly perfect, but it holds up most of the
time.
Had we been using this model over the past 25 years, it would have
been right 80 percent of the time, correctly “predicting” 20 out of 25
best picture winners. I can live with those odds — I seriously doubt
that, short of bugging Bob and Harvey Weinstein’s homes, you’d be able to consistently get a better performance.
Here are the years when the model gets it wrong, essentially the biggest best picture upsets of the past 25 years:
YEAR | MODEL’S CHOICE | SCORE | BEST PICTURE WINNER | SCORE | DIFF. | ||
---|---|---|---|---|---|---|---|
1995 | Apollo 13 | 2.8 | Braveheart | 0.4 | 2.4 | ||
2005 | Brokeback Mountain | 3.9 | Crash | 1.6 | 2.3 | ||
1998 | Saving Private Ryan | 3.1 | Shakespeare in Love | 1.5 | 1.6 | ||
2004 | The Aviator | 2.4 | Million Dollar Baby | 1.7 | 0.7 | ||
1989 | Born on the Fourth of July | 1.5 | Driving Miss Daisy | 1.4 | 0.1 |
The slim difference between the model’s choice and the actual winner
in the 1989 contest would have given me a miserable headache, so I’m
glad that I was neither predicting the Oscars nor alive in 1989. This
also settles a long-standing bet I’ve had with a friend. I thought
“Crash” was the biggest upset in recent memory, but he insisted that it
was “Braveheart.” Based on the model, I was wrong.
So let’s look at the current state of the race and try to figure out if any upsets would be historic.
2014 FILM | OSCAR SCORE | DIFFERENCE FROM LEADER |
---|---|---|
Birdman | 3.4 | 0.0 |
Boyhood | 2.5 | 0.9 |
The Imitation Game | 1.2 | 2.2 |
The Grand Budapest Hotel | 0.9 | 2.5 |
American Sniper | 0.5 | 2.8 |
The Theory of Everything | 0.5 | 2.9 |
Whiplash | 0.4 | 3.0 |
Selma | 0.1 | 3.2 |
If “The Imitation Game” or “Boyhood” wins, that would be an upset but
hardly unprecedented. Should “Selma,” “Whiplash,” “The Theory of
Everything,” “American Sniper” or “The Grand Budapest Hotel” win, it
would be the single largest upset in the past 25 years.
The closest historical precedent for “American Sniper” beating the front-runners would be “Braveheart” beating “Apollo 13.”
So for fans of “American Sniper” who want to leave this piece with a
stat to tell all their friends who won’t shut up about “Boyhood,” here
you go: In Oscar contests between a critically acclaimed film about a
group of people around Houston trying their best and a film about a big
strong man who leads his nation to war, the latter has won best picture
100 percent of the time.
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